Quilt Talk

By Mary Covey

I am so excited to let you know that I will be a guest on American Patchwork & Quilting Radio. The show is hosted by “The Voice of Quilting” – Pat Sloan. Few people in the quilting world are as multi-talented as Pat. She is an author, fabric designer, talk show/podcast host, teacher, lecturer, and blogger. And did I say all around nice person?

If you have missed Pat’s previous interviews with people in the quilting world, you can find them at creativetalknetwork.com/. Free patterns , sew alongs, challenges, deals, videos, and more can be found by going to ilovetomakequilts.com a site for passionate quilters hosted by Pat Sloan.

The quilts pictured in the promotion for the show were free motion quilted by me using my long arm machine. I look forward to sharing my love of long arm quilting with Pat Sloan and hope that you will join us on Monday,

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Quilting the Quilt (part one)

By Mary Covey

jflower4

When planning a quilt, most quilters know there are three elements to keep in mind – design, color, and texture. There is no denying that we are drawn to a quilt by the beauty of the design and by the color combinations that dazzle. But what about the texture – the actual quilting itself?

The quilts of yesteryear required a great deal of close quilting to keep the batting from shifting and lumping. This is not true for today’s quilts because of the numerous choices available in batting, more focus can be put on a quilting design that compliments both the design and color of the quilt.

The beautiful applique’ quilt block above was hand appliqued by Jane Green. Her attention to detail in the flowers deserves to be enhanced by machine quilting that does not distract from her work. Using matching thread colors helps keep your eye on the design of the block. Echoing each of the shapes both inside and outside creates equal density while still maintaining the beauty of the block design. Echo quilting is like ripples in a pond – they start out close in a perfect ring and get larger  the further away from the center they get.  After several passes around a shape swirls, leaves, hearts, and other designs can be added(see example below) to make those blank corners of the block beautiful.

Dorothy Smith's Quilt

Semi Feathers

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For the Record

By Mary Covey

Most quilters are drawn to the warmth and beauty of antique quilts. We like to collect and display them whenever possible. Many of these quilts have intricate hand stitching, unusual fabrics, and are made from patterns with long forgotten names. Fabric historians and journals written by the quilters have helped in documenting information about many antique quilts that are parts of museum collections. But what about quilts that you find at garage sales, flea markets, and antique stores? Do you ever wonder who the maker was, what was the name of the pattern, or how old is the quilt? I do.

3 Ways to Take Care of Antique Quilts #quilting #marycoveydesigns

Antique quilt from the 1930’s.

The block above is from a quilt made in the 1930’s. I know this because several of the blocks in the quilt have the year embroidered on them. So while we know approximately when it was made, the name of the maker, the name of the owner, the pattern name, and the occasion for which it was made are all a mystery. I have written a previous post on labeling your quilts, which should be a part of any quilt making process, but have you ever thought of making a record keeping system for your quilts?

The easiest way to keep a record of information about your quilts is to develop a basic form and fill it out each time you make a quilt. It can be something as simple as an 8 1/2″ x 11″ sheet of paper or as elaborate as a binder system made specifically for a quilt maker’s record keeping.  Many of my friends use a spiral bound notebook that costs about a dollar that you can purchase just about any where. My favorite way is to create this document as part of an electronic file and save it on my computer.

The following is a list of information to include in your record:

  • Project or quilt number. Assign each project or quilt a number when you start. Then fill in the information as your work progresses.
  • Name. This is not necessary but most quilters do name their projects.
  • Pattern name and manufacturer. An example would be – “Happy Birthday Baby” pattern designed by Mary Covey from the book “Celebrations” published by Martingale & Company 2002.
  • Piecing. Was the quilt pieced by hand or machine? Was it made by one person or several? Be sure to include everyone’s name.
  • Quilting.  Record whether the quilt was hand or machine quilted and by whom.
  • Special information. Record if the quilt has appeared in any shows or publications. In each instance, record the name of the show/publication, date, awards won or page number.
  • Quilt owner. Even if you are making the quilt for yourself, make sure you record who is the owner. You may think everyone knows who you made the quilt for but unless you write it down, nobody will. If you are giving the quilt as a gift, make sure this information is on the label.
  • Maker’s notes. This is where I like to record the story behind the quilt. What was the inspiration for making the quilt – a wedding, a birthday, a new baby, a gift for a special friend?
  • Pictures. Take a photograph of your quilt or project. If you keep a paper record write the number of the project on the back of the photo in case it gets separated for the recorded sheet. Photos can be easily added to electronic files and saved.

Remember it is never too late to start keeping a record of your quilts. Chances are you know who you gave a quilt to or you might even still own them.  Start taking pictures and recording the history of as many of them as you can. You’ll be glad you did.

 

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Buy Local

by Mary Covey

There is a huge movement happening in the food industry right now – “locally grown”,” locally operated”, “locally owned”. I hear and see these words constantly as I am food shopping. It is important to me to support my community by buying my groceries from a farmers market or fruit from a locally owned farm whenever possible. The grocery store and pharmacy where I shop are both local, employee owned businesses where they know me by my first name.

It is just as important for me to buy local when it comes to my quilting needs. Locally owned and operated quilt shops are vital to the quilter and the quilting community. Local shop owners are the backbone of the quilting community. Studies have shown that non-profit organizations (like our guilds, stitch groups, retreats, sewing for charities ) receive an average of 250% more support from smaller locally owned businesses than they do from large businesses.

Local quilt shops employ local quilters who have a knowledge and better understanding of products quilters use. They take more time to get to know the customers and their needs. If they do not carry a product, most are willing to order it for you if they can. If there is a class you are interested in most local shop owners will help accommodate your request (within reason of course). Fabrics, rulers, threads, needles, patterns, books, they have it all.

Local shop owners are selecting products not based on a national sales program, but on their own interests and the needs of their local customers. Every local shop has its own unique style and personality. These shop owners have made a huge investment in our community, financially and emotionally. Their shops are more than just a place to buy. A sense of community, support, encouragement, and knowledge can all be found at these wonderful shops.

    Support your local quilt shop! Think local! Buy local!

 

 

 

 

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