Merry Christmas!

Merry Christmas 2015



Merry Christmas! Hope everyone had a great day full of all things merry!


Merry Christmas


Preparing Your Backing for Quilting


When preparing your backing, the fabric used to back your quilt should be good-quality, 100% cotton. If you prewashed the fabrics in the quilt top, prewash the backing fabric also. When hand quilting, you should always prewash backing fabric to remove the sizing. This allows for greater ease in moving the needle in and out of the fabric.

If you plan to hand quilt or to quilt with a home sewing machine, the backing should be at least 4″ larger than the quilt top on all sides. If your quilt top is 80″ x 80″, for example, the backing should measure 88″ x 88″. The extra fabric allows for any slight shifting or “shrinkage” that might occur during quilting. It will also allow for any irregularities in the size of the quilt itself.

If you plan to quilt with a long-arm machine, most manufacturers recommend that the backing measure at least 6″ larger than the quilt top on all sides.

Caution Never Use a Bed Sheet

Using extra-wide fabrics in specialty widths -90″, 108″, and 120″ – eliminates the need to piece the backing. If you prefer to piece the backing and you plan to machine quilt your project, think about doing something creative. Try piecing the back with excess fabrics from the front. Pieced backings are a great way to use up leftover fabric and any extra quilt blocks.

Pieced Backings

If you decide to piece the back of your quilt, be careful to position the grain lines of the fabrics appropriately. Also, pay attention to the colors of the fabrics. You don’t want darker fabrics shadowing through to the top, which is especially a concern if you’ve chosen a thin batting.

When using continuous yardage to piece a backing, the following method always produces good results. To make a backing that measures approximately 80″ wide, measure the length of the quilt, adding an extra 4″ to the top and the bottom. For example, if your quilt length is 72″, you would add 4″ to the top and 4″ to the bottom, resulting in a total desired length of 80″. Cut two equal lengths of 42″ -wide fabric to that measurement and place the pieces right sides together. Using a 3/4″ seam allowance, sew the pieces together along both long edges. Trim away the selvage edges, leaving at least a 1/4″ seam allowance. Align the sewn seams one on top of the other and press along one folded edge. Cut on the fold. Open the fabric and press the seam allowances open.

Seam Allowances

To piece a backing that measures approxi1nately 120″ wide, you’d simply need to sew three widths of 42″-wide fabric of appropriate length together. Also, be aware that a backing can be pieced either vertically or horizontally, so you’ll want to evaluate your quilt to ensure the most efficient use of fabric.

Seam Allowances Pressed Open


Marking Your Quilt for Quilting

How to Mark Your Quilt for Quilting

Marking for Hand Quilting or Quilting on the Home Sewing Machine

When marking your quilt design on a quilt top, you’ll need to choose a marking tool and a transfer method.

Marking Tools

A variety of marking tools are available to quilters.


Choosing a Marking Tool

To mark a quilt top for hand quilting or quilting on a home sewing machine, use a marking tool that is visible but easily removed. There are a number of marking tools to choose from.

Mechanical and quilter’s pencils: A sharp pencil is the most common marking tool. A high-quality mechanical pencil with a 0.5 mm lead works well and always maintains a sharp point. A silver quilter’s pencil creates a line that is visible on dark fabrics, and the markings wash out easily. Regardless of what kind of pencil you use, remember to mark lightly.

Chalk pencils: Chalk pencils are available in several col­ ors and show up clearly on dark fabrics.These pencils can be sharpened to a fine point without crumbling, and they flow smoothly across fabric. When using a chalk pencil, mark the quilt top after layering it with the batting and backing. Mark as you go because the chalk rubs away easily.

Testing on ScrapsMarking pens: Pens with disappearing ink can be found in both air-soluble and water-soluble types. All of these pens come with specific instructions and precautions for making the lines disappear. When using a disappearing­ ink pen, be sure to follow the manufacturer’s instructions exactly.

Masking tape: Masking tape is useful for marking straight lines and grids. It comes in several widths and can be used to mark small areas at a time. Be sure to remove the tape at the end of each quilting session, since it can leave a residue if left in place for a long period. If you want to mark a quilt top with masking tape, do so after layering the quilt top with the batting and backing.

Tracing the Design

Once you’ve selected the right marking tool, the next step is to trace the design onto your project. Trace the quilting design onto the quilt top before basting your quilt.

When marking light-colored fabric that you can see through, place the pattern sheet under the area to be marked. Using masking tape, secure the design to a hard surface. Place the area of the quilt to be marked over the design and anchor it in place with vveights or tape. Trace the design directly onto the fabric, remembering to mark lightly.

When working with medium-value fabrics, use tape or clamps to secure the pattern sheet to a light box. Place the quilt top over the pattern sheet and then trace the design onto the fabric, repositioning the quilt top as needed.

For dark fabrics, you can mark directly on the quilt top by tracing around a hard-edged template. To make a template, trace the design motif onto template plastic, and then cut it out along the outer edge of the motif. Place the template on the fabric and trace around it. Add the inner and connecting lines of the design by drawing them freehand on the quilt top. The template method is time-consuming, and I rarely use it.


Defining Success

By Mary Covey

Defining Success

I believe I have been sewing all my life. As a child my grand mother taught me to thread a needle and sew on a button before I was six years old. With lots of trail and error, I taught myself how to use a sewing machine when I was seven. Over the years I worked at improving my skills so that I could make my own clothes.  A master seamstress named Minnie White let me come to her house every Saturday afternoon for a whole summer when I was twelve. She taught me how to measure, fit, and cut a pattern. Her motto was “always try to improve your skills and do your best” (the seam ripper and I became close friends). The suit I made over the course of that summer won a blue ribbon at the state fair.

When I wanted to learn to make a quilt, I took a class at Cotton Patch Fabrics in Tulsa, Oklahoma from Janette Metz, a master quilter. In Janette I saw that same patient spirit and willingness to share her knowledge that I had seen in Minnie. Again I heard the words “do your best” and “always try to improve”. The lessons Minnie and Janette gave became the foundation for all the work I have done since. There are others who have shared their knowledge with me – Betty Terrell, Nancy Mullman, Jane Green, Linda Jenkins, Becki Goldsmith, Ruth Faye, Ellen Medlock, Jane Lewis, Julie Scribner, Larry Black, Nancy Martin, Mary Green, Shirley Pittinger and the list could go on and on. All of these people took the time to share some of their knowledge with me. They are all successful women in my eyes.

Are you a teacher? Do you strive to improve your skills everyday for the benefit of your students?  Do you reach out to each of your students to help them improve? Do you take classes from experts to stay current in your field? Do your students feel like a success when they finish your class?

We have the ability to support and promote others to “do their best”. Kind words of encouragement can make a difference for all of us. We can all be successful if we reach out as often as possible to support and promote our students, friends, and family.

Scrappy Star Quilt with floral backing

Scrappy Star Quilt with floral backing